Monday, April 2, 2012

The Director's Chair: Alfred Hitchcock and Christopher Nolan

Throughout the years, film has captivated imaginations and thrilled minds. The process of film making is truly an artistic process, and directors are the masterminds behind it all. In the thriller genre, there are two directors that come to mind more than others: Alfred Hitchcock and Christopher Nolan. These directors are similar and different in many ways; such as their approach to film and the elements of their directorial style.

First of all, general background information must be brought up before the directors can be looked at properly. Alfred Hitchcock was a legendary and influential director. He has been referred to as the master of suspense. He has directed more than fifty feature films over his career, and today he is one of the most popular and recognizable directors of all time. Some of the films he has directed include Vertigo, The Birds, Psycho, and the list goes on. Christopher Nolan is an acclaimed director who has enthralled people’s minds, and continues to do so. Nolan has directed such films as Memento, The Prestige, Batman Begins, and the acclaimed The Dark Knight. 

Second, there are many reoccurring themes that appear in each director’s films. Nolan’s films often have intangible or emotional themes. Obsession is an evident theme. In The Prestige, Angier is obsessed in defeating his rival Borden. They risk everything to discover each other’s secrets, and this leads to a downward spiral towards destruction. In Memento, Leonard becomes obsessed with finding his wife's killer, and in Batman Begins, Bruce is obsessed with avenging the murder of his parents, and he seems possessed by his desire to fight crime and injustice.

Another theme is that of a vigilante protagonist. In Batman Begins, Bruce Wayne becomes Batman and preys on the criminals of the city. In The Prestige, Angier risks everything to sabotage the life and career of another magician who he blames for the death of his wife. In the end, he succeeds but it costs him more than he bargained for. In the film Insomnia, the character Dormer works to frame criminals who have managed to slip through the justice system. In his mind, he creates his own justice. Memento’s Leonard decides that he will avenge the death of his wife.

Death of a loved one also reoccurs. In The Prestige, Angier’s wife dies when a magic trick goes terribly wrong. In Batman Begins, Bruce’s parents are murdered, and in Memento, Leonard’s wife is murdered. Guilt is yet another theme. In the film Insomnia, Detective Dormer feels guilty about accidentally shooting a friend. Memento is also based on guilt. Leonard feels he failed to save his wife’s life, and he feels guilty about his memory. He loses is short-term memory and is unable to remember if he has done anything to avenge his wife. Bruce Wayne feels guilty and somewhat responsible for the death of his parents in Batman Begins.

Hitchcock also has many themes that continue to pop up in his films. One of his more famous things would have to be his brief appearance in his films. Hitchcock would often be seen in his films as an extra. He might appear on a photograph, or even walking across the screen. In the film Strangers on a Train, he is seen carrying a large instrument case while boarding a train.

Another theme of Hitchcock’s is the used of blonds. In The Birds, the character Lydia is a blond woman who begins to fall in love with Mitch just as the birds begin to attack. In Vertigo, the character Madeleine is also blonde. Scottie falls in love with her, but she dies. As it turns out, the woman he fell in love with was actually named Judy, and he meets her and makes her dye her hair blond.

Staircases also appear in Hitchcock’s films. In the film, Vertigo the characters climb the stairs to the bell tower several times. In The Birds, the characters go up and down the stairs in the bird shop.

Also, the theme of struggling relationships with parents occurs. In The Birds, Mitch’s father is dead, but he has a mother that refused to let go of him. This theme is also seen in Psycho and North by Northwest.

Next, these two famous directors of the thriller genre have many similarities and differences in their style and approach to film. Nolan seems to focus on making films that have distortion of reality, and he is also known for using storytelling that doesn’t follow the chronological order. He uses non-linear storytelling. Batman Begins and Insomnia have more of a chronological story than his other film, but even the plot for these has flashbacks integrated into it. The Prestige’s order jumps around, but it is used to keep you guessing until the very end.  Memento is brilliantly out of sequence. This film starts from the end and moves toward the beginning. Hitchcock also uses flashbacks but not to the extent of Nolan. In the film Vertigo, Judy has a flashback to the night up in the bell tower.

Nolan also uses very little lighting or natural light. He uses light coming through a window, candles, or in the case of Insomnia, the story takes place in Alaska during 24 hour daylight. In using natural light, Nolan’s films have a darker mood and tone to them. Hitchcock has also been known to use natural light and to use light. In The Birds, light comes from the sun during the day, and when they are boarded up into the house, the film relies on lights indoors.

Both directors have similar directing manners. Both men are able to capture the energy of the characters, and they both use “hands off” directing, so to speak. Both directors would stress the script and often prod the actors in the right direction, but for the most part they left the acting up to the actors. They leave the actors free to do what they do best.

One thing that Nolan does when it comes to film making is he often has his brother Jonathan to do the writing for the film. One thing Hitchcock is famous for, and not so much Nolan, is cinematic experimentation. Hitchcock would often experiment with camera angles, zooming, etc. Hitchcock has become a pioneer of film making.

Each director has a different impact on the thriller genre. Hitchcock would have to be more of an influential director than Nolan because Nolan is fairly new to the game and only time can tell what he will bring to the table, but Hitchcock is forever a legendary director of film.  He has influenced the film making process in a way that new directors of this genre, like Nolan, have to ask themselves if their film is Hitchcock enough or “What would Alfred do?” Hitchcock has forever changed the film making process involved with the thriller genre. One thing Nolan has done is set a precedent for future films that don’t have a sequential order.

All in all, film continues to inspire out minds, especially the thriller genre. This is because of the work of the legendary director Alfred Hitchcock and the new top gun Christopher Nolan. Each of these directors has their own style. Although they do have some similarities, no one director is the same, and film is better because of it. 

Friday, January 20, 2012

Film Reaction: “Into the Wild”



First of all, Chris appears to have a complex relationship with his natural surroundings. When Chris first starts his adventure, he is a city boy who has only really read about the wilderness in his books. He lacks a good comprehension of nature. A fine example of this would be when he parks in a flood area during a storm. As a result, his car is wrecked and he abandons it. As he continues to travel, he begins to gain a better understanding of his surroundings. Chris receives advice from the people he meets along the way, and they give him supplies he will need for his journey. By the time Chris reaches Alaska, he has a basic understanding of his natural surroundings. He loves the isolation and the beauty of nature, but things eventually become hard and he realizes that he doesn’t know and understand his natural surroundings like he thought he did. Chris becomes trapped by nature and cannot escape its cruel and harsh environment, which eventually leads to his death.

Second, although Chris tries to escape society and its ways, he cannot rid himself of his traditions and culture. Many times during his journey Chris finds himself back in society, and every time he ultimately flees from it. But he cannot truly escape its culture and traditions. No matter where Chris goes his traditions are still going to follow him. A good example of this would be his hitchhiking. He uses his thumb pointed in the air to signal drivers that he wants a ride.

Next, Chris once again has a difficult relationship but this time it’s with family and friends. Chris comes from a family that has its problems, which is one of the reasons he left. Chris seems to think that his whole family is a lie, and it kills him everyday to be a part of it. Chris only saw the dark side of his family, and he didn’t grasp how much they really cared for him. Chris was only able to realize this at the end of his life. On the other hand, Chris seemed to love and respect his friends more than his family. In essence, they become his family. They all offer him a chance to settle down but he decides to move on to Alaska to find himself.

Finally, Chris does not fully understand himself at first but at the end he finally comes to a genuine understanding of who he is and where he belongs. There are a number of reasons why Chris leaves on his quest, but one of the main ones is to discover his identity. He doesn’t know who is he, but he believes he can determine the answer in the wilderness of Alaska. As Chris begins to die from eating a poisonous plant, he finally begins to understand himself and longs to return to his family and friends. Chris eventually concludes that true happiness is only real when shared.

Saturday, January 14, 2012

Movie Review: "Australia"


The movie Australia is a romantic adventure movie set on the verge of WWII. The film was directed by Baz Luhrmann and stars Nicole Kidman and Hugh Jackman

The movie begins with Lady Sarah Ashley (Kidman) traveling to Australia with the hopes of selling the cattle station. Upon arriving, she soon discovers that her husband has been murdered. An Aboriginal called King George is blamed for his death. The manager Fletcher is secretly trying to get a hold of Faraway Downs and stealing cattle because he works for Carney, who is the big cattle boss in the area. Lady Sarah, Drover (Jackman), Nullah, and others drive the cattle to sell. After many speed bumps they eventually succeed. Drover and Lady Sarah fall in love, and Fletcher kills Carney and takes over the cattle empire. Nullah is taken and sent away to an island with other mixed Aboriginals. After the Japanese bomb the island and Darwin, chaos occurs. Drover thinks Lady Sarah is dead and set off to rescue Nullah and the children. Drover finds Nullah and they are reunited with Lady Sarah. A distraught Fletcher tries to kill Nullah but is killed by King George. The three return to Faraway Downs and King George takes Nullah to go live with him.

This movie was lengthy, and it almost has two parts. It seemed the movie would end after they drove the cattle into town. Maybe this film would have been better as a well thought out mini-series on HBO.

Nevertheless, the film was entertaining. Luhrmann does a wonderful job of capturing the beauty of Australia. Beautiful landscapes were shown  quite often in the film. The film did well to capture certain things about Australia such as cattle station life, race relations with the Aborigines, etc, and this is a reason why this movie has value. Of course, Jackman delivers a solid performance. It is different to see the real him as an Australian in his performance.

One interesting thing in the movie was that after someone dies, Aboriginals cannot say that person’s name. But do not avoid saying "Australia." It is a movie that has something for everyone.


Tuesday, December 20, 2011

Symbolism

The topic at hand is symbolism. Strap yourself in because this is going to be a symbolic ride. The Merriam-Webster's Dictionary defines symbolism as:

Symbolism (noun): representation of abstract or intangible things by means of symbols
Basically, symbolism in film is meant to represent or give more meaning to something. Symbolism can be presented in hundreds of ways, and every movie has symbolism. Something the symbolism is hidden and often it can have multiple meanings or interpretations. 

Four films have been selected whose symbolism will be discussed: Harry Potter and the Half-Blood Prince, Batman Returns, V for Vendetta, and The Departed.

Harry Potter and the Half-Blood Prince
 

Harry Potter and the Half-Blood Prince is the sixth installment in the popular Harry Potter series. The movies are of course based on the novels by J.K. Rowling. The film was released in 2009 and was directed by David Yates. Yates directed the last four Potter films. This film stars Daniel Radcliffe, Emma Watson, and Rupert Grint as Harry Potter, Hermione Granger, and Ron Weasley, respectively.

There is one scene in particular containing symbolism which involves Draco Malfoy (played by Tom Felton). This film is arguably one of the darkest in the franchise. The film has a subplot that depicts the conflict, struggle, and descent of Malfoy.

The specific scene is on where the camera angle is up high and point down. Malfoy can be seen below walking down the hallway. On the left side of the frame and in the foreground is a caged bird. The bird is in a cage within a cage. 

This symbolism can be interpreted as representing Malfoy. He is like the bird. He is trapped within a small cage (his internal struggles) and also within a larger cage (his external struggles). What is he struggling with? Well, if you have seen the movie, you know that he is struggling with the order that was given to him by Voldemort. He has been given an order that he knows he must follow, but he knows he cannot. He is servery torn, and the movie portrays his descent into darkness wonderfully. 

Batman Returns

Batman Returns is the sequel to the first Batman film (simply titled Batman). The film was released in 1992 and was directed by Tim Burton, who also directed the first movie. The film stars Michael Keaton who reprises his role as Batman/Bruce Wayne, Danny DeVito as The Penguin, and Michelle Pfeiffer as Catwoman/Selina Kyle. 

The Tim Burton films were entertaining and handsome interpretations of the Batman comics, but they nothing compared to the new Christopher Nolan films, which brought life back into the Batman franchise.

Batman Returns does have one really great scene for symbolism, which is why it was selected. In the scene there is a costume party. Bruce Wayne (Batman) and Selina Kyle (Catwoman) are both in attendance, and at one point they dance together. 

What makes this scene great is the fact that Wayne and Kyle are not wearing costumes. They go as themselves. This is symbolic because their alter egos both wear masks and by going to the party without a costume, they are in essence wearing a mask. Going as themselves is their costume. The other them (Batman and Catwoman) is essentially the real them. Bruce Wayne and Selina Kyle are their costume. 

V for Vendetta
V for Vendetta  is based on the graphic novel and takes place in an alternate future. The film was written and produced by the Wachowski brothers, who are known for The Matrix. V for Vendetta was released in 2006 and was directed by James McTeigue. The film stars Natalie Portman as Evey and Hugo Weaving as V.

This film also has a great scene for symbolism. Toward the end of the movie V's plan is coming together. There is a voice over by the character Finch (played by Stephen Rea) as he begins to put things together. Then V is seen by thousands of dominoes. They are laid out colorfully spelling his name. "V". V knocks the first domino over and they all begin to fall perfectly, but the final domino does not fall. V picks it up and examines it.

The dominoes are like V's plan. Everything was worked to perfection, except for one thing: Evey. Evey is that domino. She is the one thing V did not plan on. He realizes this and later professes everything to her.

The Departed
The Departed is a true modern classic. It is very vulgar but it is also captivating. The Departed was released in 2006 and was directed by the great Martin Scorsese. The Departed also won the 2006 Academy Award for Best Picture. 

The film stars Leonard DiCapario as Billy, Matt Damon as Colin Sullivan, and Jack Nicholson as Frank Costello. The film also stars Mark Wahlberg, Martin Sheen, Ray Winstone, and Alec Baldwin. 

The symbolism selected out of this film comes out of the last scene in the final seconds of the movie. If you've seen this movie you know how things go down in the end. If you haven't, go watch the movie (but not around the kids). 

All the details to the powerful ending won't be given away, but a little must be said to set things up. At the very end of the movie the camera looks off the balcony onto the city. Just before the movie fades out, a rat comes running across the balcony railing. You may not have noticed this at first but if you look closely you can see it. 

The rat is very symbolic because basically everyone in the whole movie was a rat (meaning they were snitches or informants). 


If you have not seen these movies, you are highly encourage you to do so. They are all great in their own right.